Art through adversity

A polio victim, Arnulf Ercih Stegmann grew up without the use of his arms yet built a highly successful career in Germany by painting with a mouth-held brush. It was his belief that if painters with similar problems formed a co-operative it would be possible for them to live by their artistic efforts and enjoy a sense of work security that until then had eluded them.

This aim was to be achieved by the marketing of their work in the form of greetings cards, calendars, prints and illustrated books. The result has been a unique worldwide art movement.

One of the main themes of Stegmann's credo was that the new international Association of Mouth and Foot Painting Artists must never be regarded as a charity because many of its members were in wheelchairs or even hospitals beds. To him the key word was "partnership" - the word "charity" was as abhorrent to him as the word "pity" - and the Association has always proclaimed that it is not a charity and does not qualify for charitable assistance.

From the beginning its members have had full control of the enterprise that enables them to enjoy a secure livelihood despite severe handicap and which has given them a purpose in life. Many have achieved international recognition through work produced with brushes held by their teeth or clenched between their toes.

M.F.P.A. is not a charity but a company entirely owned by seriously disabled members of the Association of Mouth and Foot Painting Artists.